'Lost at Sea' In Aid of the RNLI Lifeboat of Ballycotton
The family of the late musician Rory Gallagher are putting for auction, a
Rory Gallagher 'replica' Fender Stratocaster guitar, with his original
Oberheim warm-up amplifier with stenciled flight case, to help raise
funds for the RNLI lifeboat stationed in Ballycotton Harbour.
Rory would visit Ballycotton where he was inspired to write material and
a video of his song 'Lost at Sea', has been put to footage of the
Ballycotton lifeboat to assist with the fundraising effort.
Lot 444
Estimate €5000—7000
Rory Gallagher 'replica' Fender Stratocaster guitar
An exact replica of the first Stratocaster imported to Ireland in 1962 and
purchased by Rory from Crowley's Music Store in Cork in 1963. Also an
Oberhiemer backstage, 'warm-up' or 'studio' amplifier which Rory
acquired in Los Angeles, in the mid 1970s
46
62
Paul Henry RHA (1876-1958)
KEEL VILLAGE, ACHILL ISLAND, 1911
oil on canvas
signed lower left
18 by 20in. (45.72 by 50.80cm)
Provenance:
Private collection;
Adam’s, 28 May 2003, lot 86;
Whence purchased by the present owner
Exhibited:
‘Paintings by Mrs. Frances Baker, Grace Henry, Paul Henry, Casimir Dunin-Markiewicz and George
Russell (AE), Leinster Hall, Dublin, 16-21 October, 1911, catalogue no. 35 or 36
Literature:
Kennedy, S.B.,
Paul Henry, Paintings Drawings Illustrations
, Yale University Press, New Haven &
London, 2007, catalogue no. 342, p.162 (illustrated)
In original Waddington frame.
The form of the signature, with dots between the two words of the artist’s name and after the word Henry,
signify that this composition must have been painted shortly after the artist arrived on Achill Island in
August 1911.The village of Keel, where in his autobiography,
An Irish Portrait
(1951), he tells us he settled, is
seen from the high ground to the north-west, the long and graceful sweep of Trawmore Strand dominating
the middle distance.The scene has been rendered with remarkable economy of means, there being only
moderate impasto, but a great sense of fluidity, in the handling of the paint. As is characteristic of Henry’s
painting at this time the brushwork is rigorously descriptive of form and structure and the use of subtle
blues and greys to emphasise the recession of the landscape is a foretaste of the strong Whistlerian
influence that would soon emerge in his painting.The use of upright brushstrokes, as seen in the near
foreground, is characteristic of other Henry pictures of this time.There is an almost identical, but smaller,
composition of the same title and period to this in the Ulster Museum, Belfast. Nowadays the village of Keel
is larger, although not substantially so, so that the main thrust of the landscape can clearly be seen. Henry’s
excitement at his new-found surroundings is also evident in his rendering of the landscape.
Dr SB Kennedy
February 2013
€
50,000-
€
70,000 (£42,700-£59,800 approx.)
WHYTES
SINCE 1783
