WHYTE'S IRISH & INTERNATIONAL ART MONDAY 1 OCTOBER 2018 AT 6PM

IRISH & INTERNATIONAL ART · 1 OCTOBER 2018 AT 6PM employing wet brushstrokes in the child’s table, but drier marks on the green table top and pink curtain, suggesting that the artist may have scraped the paint, or used coloured chalks or pastels in some areas, to give texture. Some of the picture’s edges are left unfinished, giving a fresh, Impressionistic quality. There is a delicate harmony in Osborne’s use of colours. Notable are the delicately evoked mugs, pale blue with white handles, on the top of the press. At a Child’s Bedside, 1898, shows Violet aged five years, asleep in a metal-framed bed, watched over by a woman, perhaps her grandmother. The child has blond hair, and one hand is stretched out on her pillow, ‘echoed’ by the woman’s hand which rests on the bed covering. Equally, the pink and white hues of the pillow can be seen again in the pink and white bedding at the bottom of the picture. The ‘halo’ effects around the woman’s head shows the artist positioning the figure, while the still-life detail: bottles, flowers and a candle on the press, provide a note of calm. Osborne uses a gentle palette of greys, maroons, off-whites and pinks. To indicate the folds of the bed covering he employs pale, sweeping lines, his brushes probably loaded with water to leave slight edges to the marks, comparable to those in Osborne’s classic watercolour The Dolls’ School, 1900 (NGI.2535). At a Child’s Bedside, along with a series of touching watercolours of children in the interiors that Osborne painted at the turn of the century, showing his mastery of the watercolour medium. At a Child’s Bedside was exhibited at the New English Arts Club, London in 1899; at the Water Colour Society of Ireland in 1901; and at Memorial Exhibition of the Works of Walter Osborne at the RHA, Dublin in 1903-1904, lent by the artist’s mother. Later, in 1983, it was included in the large Osborne exhibition in the National Gallery of Ireland, curated by Jeanne Sheehy; and in an exhibition of Irish Art at the Gorry Gallery in 1995. Dr Julian Campbell August 2018 Acknowledgements: With thanks to James Gorry of the Gorry Gallery, for his assistance in research. FOOTNOTES: 1. see Jeanne Sheehy, Walter Osborne, 1974 andWalter Osborne, 1983, op, cit 2. At the Breakfast Table is to be included in Sale of Brian P. Burns Collection, Sotheby’s, 2018 €8,000-€12,000 (£7,210-£10,810 approx.) Click Here for Large Images & To Bid Lot 12