39 / 57
WHYTES
SINCE 1783
,
11
239
J. Turner
THE PARSONAGE AT LISHOY, EARLY
RESIDENCE OF GOLDSMITH, 1844
watercolour
inscribed with title in margin; dated on
reverse [26 March 1844]
6 by 8in. (15.24 by 20.32cm)
Unframed.
€
150-
€
200 (£120-£160 approx.)
240
Daniel Maclise RA HRHA
(1806-1870)
CHARLES DE LORRAINE, 1589
pencil
with artist’s name and dates printed in
the mount lower centre; with
exhibition label on reverse
6 by 4in. (15.24 by 10.16cm)
Exhibited:
Cynthia O’Connor Gallery, April 1977,
catalogue no. 53
€
150-
€
200 (£120-£160 approx.)
241
Peter Deakin (British, 1830-1899)
GIRL WALKING THROUGH WOODS and
GIRL SKETCHING (A PAIR)
watercolour; (2)
first signed lower left; second signed
lower right
10 by 14in. (25.40 by 35.56cm)
Both of equal dimensions. Uniformly
framed.
€
300-
€
400 (£240-£320 approx.)
242
Attributed to George William
Crawford Chambers
(
fl.
1860-1900)
FOUR MARINE WATERCOLOURS
Four 19th century English School,
marine watercolours, the largest 4.5”
by 7”, the smallest 3” by 5”. In attractive
gilt frames, inscribed verso with
attribution to George Chambers and
dated 1899.
€
300-
€
500 (£240-£400 approx.)
244
Charles Johnston Payne
(1884-1967) (“Snaffles” )
AN IRISH POINT TO POINT
A hand-coloured engraving after
Charles Johnston Payne, or ‘Snaffles’
(1884–1967) the central depiction of
racing horses jumping a ditch
surrounded by vignettes of scenes
from an Irish Point-to-Point. 22 by
29½in. (55.88 by 74.93cm)
€
2,000-
€
3,000
(£1,600-£2,400 approx.)
243
John Sowden (British,
1838–1926)
KIRKGATE CHAPEL
watercolour over pencil
signed lower right; titled lower left;
with artist’s name, dates and title
printed in the mount lower centre;
with Wellesley Ashe Gallery framing
label on reverse
8½ by 7in. (21.59 by 17.78cm)
€
100-
€
150 (£80-£120 approx.)
Ex 242