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24

WHYTES

SINCE 1783

,

S

1

27

John Luke RUA (1906-1975)

VIEW OF BELFAST LOUGH

watercolour

signed lower left

9 by 12.5in. (22.86 by 31.75cm)

Provenance:

Gift from the artist to Professor John Earls;

Thence to Irene Calvert MP (see lot 45);

Thence by descent to the present owner

2,000-

3,000 (£1,600-£2,400 approx)

28

John Luke RUA (1906-1975)

SEATED FEMALE IN PROFILE (0.5 HOUR), STUDY OF BEECH, 1927

and HEAD OF A GIRL (SET OF 3)

pencil; (3)

first signed and inscribed [0.5 hour S.C.] top right; inscribed

‘work done out of class hours’ on reverse; second signed, titled

and dated top right

12 by 10in. (30.48 by 25.40cm)

Provenance:

The artist’s sister;

Thence by descent

Dimensions of second work 14.5 by 11.5in., third work 5.7 by 6.3in.

1,200-

1,500 (£960-£1,200 approx)

29

Seán Keating PRHA HRA HRSA (1889-1977)

CORRESPONDENCE AND ARCHIVE MATERIAL

Letters written by the artist dating from 1929-1931 mainly in

correspondence with Ms Helen Hackett of Helen Hackett Galleries, New

York. Also newspaper cuttings, including several from US papers,

photographs of paintings, Oriel Gallery Exhibition catalogue of paintings

by Lady Coralie Kinahan. 10 photographs, numerous newspaper cuttings,

and 18 letters between Keating and Hackett. A valuable primary source

for researchers of this iconic Irish artist.

After gaining its independence in 1922, Ireland’s economic status took

precedence over the country’s cultural development, thus the newly

established Ministry of Fine Arts was swiftly merged with Department of

Education.With very little funding available at home, artists looked to the

international market, finding a willing and wealthy clientele in America.

The period of late 1920s and early 1930s was a time when Irish arts

suffered the most at home.The Helen Heckett Gallery was one of the

New York galleries that took a particular interest in Irish art, representing

artists such as Jack B.Yeats, Paul Henry and Seán Keating.The

correspondence between Keating and Miss Hackett during 1929-31 and

the numerous newspaper cuttings which accompany this lot offer an

insight into the artist’s involvement with the arts scene both overseas

and in Ireland. (55 items)

1,500-

2,000 (£1,200-£1,600 approx)

Ex 28

Ex 29