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62

Basil Blackshaw HRHA RUA (b.1932)

THE OLD ORCHARD, 1956

oil on canvas

inscribed on Arts Council of Northern Ireland label on reverse

18.5 by 28.5in. (46.99 by 72.39cm)

Provenance:

de Veres, 21 November 2000, lot 302;

Private collection

Exhibited:

‘Basil Blackshaw Retrospective’, Arts Council of Northern Ireland, 1995

Literature:

Ferran, Brian, Basil Blackshaw - Painter, Nicholson & Bass Ltd., Belfast, 1995, p. 44 (illustrated in colour)

The Orchard forms part of a series of intense landscapes, half way between neo-Romanticism and

Expressionism, that Basil Blackshaw painted in the mid 1950s; this series could arguably be seen as his

first mature body of work after leaving Belfast College of Art. It has a more lyrical mood than some of the

darker landscapes of this time. Many of the works of this period appear to be drawn from a specific place

and motif, sometimes noted in the title, but they create such a strong sense of mood and of

powerful natural forces at work that they transcend their particular local identity and take on a more

universal quality.

It is intriguing to see in the present painting Blackshaw’s apparent awareness of a British contemporary,

Alan Reynolds, whose tensely evocative paintings of gardens and farmlands eventually moved into pure

abstraction. The twisted, interwoven branches of the trees that dominate the foreground here establish

an abstract rhythm and pattern that goes beyond description to create an almost flat, two-dimensional

surface that could also be connected with post-war gestural painting in

Europe and the USA.

The buildings in the distance provide a geometric framework that is dominated by three triangles. This

appears to be the same architectural arrangement that is included in a more

clearly defined form in Blackshaw’s 1957 painting November Cottage. Buildings are often integrated

within the landscapes he painted in this period, providing an architectural structure that Blackshaw was

to begin to find within the landscape itself in the long series of paintings of Colin Mountain that he em-

barked on around this time.

Dickon Hall

€10000-€15000 £9100-£13650

Click Here for Large Images & To Bid Lot 62